However, despite the stressful build up, the shows went so well! We had three performances in total and the final show actually sold out, due to the awesome marketing of course ;). Camus' 'The Misunderstanding' is about a man who has been away from his home for many years. When he returns, his mother (who is now a widow) and his sister are making a living by taking in lodgers and killing them. 'No Exit' by Sartre is about three dead people in hell, who are punished by being being locked in a room together for all eternity. As you can clearly see, the plays were very cheerful(!)
One of my set texts for exam this year is Samuel Beckett's 'En Attendant Godot', another absurdist play that my college did a performance of last term that I also did the marketing for. Theatre of the Absurd really fascinates me because it's just so, well, absurd; it features characters that are trapped in incomprehensible worlds and characters that are often in pairs, 'pseudo-couples', who are trapped in clichés and routines. Some of the features of absurdist plays include religion, existentialism, comedy and nonsensical language.
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Judgin' u |
I am studying Sartre's 'Qu'est ce que la littérature?' as one of my set texts for French Literary Theory and I really like his chapter on 'Pourquoi Ecrire?', which includes his views on why people write. It took me a very long time to understand this chapter (again, I emphasise the difficulty of reading philosophy and literary criticism in French- English is already difficult enough to understand!) and I eventually had a 'Eureka!' moment at half two in the morning. According to Sartre, we write because through it, we can express ourselves and be free as through writing, our ideas can take off and literature can exist forever as it is re-read by different audiences over the years. Pretty cool stuff, huh? Sartre's existentialism still drives me insane with how pretentious it can be at times. And he also had a very weird relationship with Simone De Beauvoir.
But that is a story for another day. Peace out.